Thursday, December 9, 2010
Thursday, December 2, 2010
Lazy Post-Thanksgiving Post or Pulkya, Hair Straightening, and The Boomtown Rats
We enjoyed two lovely Thanksgiving dinners last week with dear friends, Hungarian, South African, British and American. Below is a list of highlights.
THURSDAY:
Cooking and baking for five hours straight and loving it. The results were mouthwatering.
The family Pálinkás' delightful yogurt/cherry dessert.
Pálinkás Réka crawling back and forth between me and her mother, the lovely Julia, to receive bites of mashed potato.
Pálinkás Dani, clutching his little blue bear (kék mocsi), calling Aidan's stuffed alien dog "PULKYA"(turkey)
Sweet Jáno, bearing lovely gifts, silent, but grinning his schoolboy grin the whole time.
Pálinkás Péter, declaring my pumpkin pie the only one he will ever eat and love.
FRIDAY
Meeting Jaci Török, Hungarian via South Africa. Megawatt smile, soothing voice made for storytelling.
Andrew Hornett strumming his guitar.
Watching young CETP teachers straightening their hair with a contraption I've never seen. Fascinating!
Singing "I Don't Like Mondays" by the Boomtown Rats with the whole crowd.
Pétér, declaring once again that my pumpkin pie is his favorite.
Receiving a jar of aromatic strawberry/kiwi tea from the dearest Bill Robb.
Watching my boy Aidan play DJ with Cassie's ( our delightful hostess) music collection
Talking with Anna Banhegyi about her doctorate thesis on East German western films...you had no idea, did you?
Running to the HEV stop with Boone, Aidan, and Pétér in the fresh, wet snow, barely making the last train.
Three helpings later....Bill, Andrew, an Scott |
Monday, November 29, 2010
Urania and The Illusionist via The Anilogue Film Fest
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The Urania National Theatre, Rakoczi ut. 21 |
Last night, Boone, Aidan, Victor, Gabor and I met in Pest at the Urania National Theatre to view Sylvain Chomet's latest animation piece, "The Illusionist". Both the theatre and the film were a treat for the eyes, heart, and soul.
The Urania looks humble enough from the street. The facade offers a hint of the lavish and elegant Moorish/Art Deco design within. We arrived last night just a rain was turning to snow, the moment was a piece of fleeting and delicious anticipation...
For inside the doors, as we scanned the room for our friends, my boys and I were met with the rich blue and gold interior foyer, walls adorned with gorgeous Islamic symmetry, seductively lit, and abuzz with the voices of film lovers from all over the world.
Once inside, you really feel as if you are treating yourself to something very special indeed. Victor pointed out that the vibe of the place is similar to our beloved, old Crystal Theatre back in Missoula. Indeed, he was correct. The denizens of the Urania, including us, of course, were similar to those who frequented The Crystal...bohemians, hipsters, humble art lovers of all ages.
The Urania is truly a Hungarian national treasure and any visitor to Budapest should make a point of seeing a movie there. The theatre features films that defy Hollywood formula and stereotype which makes it especially attractive to film buffs.
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inside the theatre proper, where art lovers gather to savor creativity |
After grabbing some water and chips, we headed into the screening hall, balconies surrounding, and located our assigned seats. Within ten minutes, the curtian lifted...the screen showed about two minutes of Anilogue Film Festival information then went straight to the feature. No agonizing trailers or relentless advertisment.
Sylvain Chomet is a a French animator and film director. He became fairly well known stateside for his delightful feature "The Triplets of Belleville", a moving story of pain (physical and spiritual), perserverence, and good versus evil. The main characters are humble, poor, dear, and an example of what is lost to society at large due to poverty and over-indulgence.
"The Illusionist", much different that "Triplets", deals with similar themes. Like "Triplets", there is very little dialogue, for in these films such a thing is not needed. The movements and expressions of the characters, as well as the gorgeous imagery, say much more than words could ever do.
The story takes place in Scotland, mostly Edinburgh, at the end of the fifties, beginning of the sixties. An aging magician travels from France to the UK with his endearing but increasingly dated performance, complete with chubby, snapping rabbit and sleight of hand props. He lands in Scotland at a small highland pub where a young girl becomes fascinated with him, believing that he is truly able to conjure magic. When he leaves for Edinburgh, the girl stows away to follow him, and they end up together in an old hotel, where he basically cares for her (and she for him) among a crew of sweet but sad and washed up vaudevillians.
Throughout the story, it is clear that the girl continues to be convinced that the magician simply conjures up whatever they need, whatever she wants. She is an endearing innocent, who truly loves the fatherly old man, and he does his best to preserve that innocence, through whatever means necessary.
It soon becomes apparent that the illusion of their friendship, of what the girl feels is real, must fall away due to inevitable change. He watches this change unfold, worldy-wise as he is. Even as she experiences the change, she seems to pass through it, unaware of what is happening.
Gabor offered the perfect word to describe the ending of this film, and really, the mood of the entire piece..."Bittersweet."
Not only is "The Illusionist" a wonderful story, whose original screenplay was written by the venerable French comic, Jaques Tati (and who the character of the magician is based), the animation is rich, emotional, evocative, absolutely gorgeous. The scenes in Edinburgh fairly tug at the heart for their beauty (Gabor said the depiction is quite accurate). The final scenes in a particular...a book left in a moonlit room, the shadow of its pages, ruffled by the wind, printed upon a wall, white rabbits hopping contentedly atop a green cliff with Edinburgh in the background, the girl and her new friend, shielding themselves from the oncoming rain with the beautiful coat the magician has given her, walking against a crowd of umbrellas....are the ones I will carry in my memory for years to come.
Do treat yourself to "The Illusionist". In this day of soulless computer animation. films like this provide the perfect tonic to the formulaic, predictable, thoughtless tripe that Hollywood continues to regurgitate. x
SuperGranny
This post is devoted to creativity and how it can not only bring joy to our loved ones but also to the creative world in general.
The link to the blog which featured these delightful photos, entitled "Mamika", does a beautiful job of relating the back story leading up to the photo session. I will just say this...Frederika is indeed a super woman and her dignity and beautiful complexity shine throughout this series. Please, you owe it to yourself to click the link and enjoy! x
www.mymodernmet.com/profiles/blogs/grandmas-superhero-therapy-18
The link to the blog which featured these delightful photos, entitled "Mamika", does a beautiful job of relating the back story leading up to the photo session. I will just say this...Frederika is indeed a super woman and her dignity and beautiful complexity shine throughout this series. Please, you owe it to yourself to click the link and enjoy! x
www.mymodernmet.com/profiles/blogs/grandmas-superhero-therapy-18
Thursday, November 11, 2010
Soundtrack of Life
Wednesday, November 10, 2010
Budapest Grotesques
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Szechenyi Fűrdő |
Somewhere between the animation aesthetic of Robert Crumb and Chuck Jones lies the art of Marcus Goldson. His work depicts with absurd glee the people, lives, and loves of Budapest.
So much of the appeal lies not necessarily in the skill of his work, although Goldson's skill is more than ample. This artist has a keen eye for detail, the kind of detail that sets the quirks of this city apart from any other European capitol. And while this city is thoroughly European, it is also distinctly Hungarian,
naturally, and Goldson, while sketching out these peculiarities with an obvious adoration of Budapest, holds nothing back in his depictions. Consider the picture above.... not only is this man much too massive for his tiny banana hammock, but he has also made sure that he will not run out of that ubiquitous Hungarian brew, Dreher. The spirit of this piece rings absolutely true to a certain slice of Budapest culture, and it is depicted with such perfect, loving humor.
Anyone who frequently patronizes public transportation in BP has definitely seen a version or two of the three grande dames depicted above. There is a sort of over the top elegance that many of the communist generation possess. One sees these ladies and suddenly realizes where Zsa Zsa Gabor comes from! These three remind me of a vivid, aged version of the Three Fates.
So much is going on in the picture above...obviously. But this pic is chock full of commentary as well. Beginning with the bottom left hand corner....this piece is apparently supposed to be presented from the view of the guy lighting up. Smoking is a given in Budapest. Better get used to it. Some public places offer separate smoking sections and even fewer forbid it altogether, but, smoking is seemingly a national past time. I think the people, in general, are so intense they need a cig every now and then just to calm their minds down, to be able to focus.
The smoker has on his table the ever present blackberryish device which says in the window SZIA..."szia" is a casual way of saying either hello or goodbye to friends. It is used when cooing at cute animals as well. Cosmo hears it all the time.
Dogs (kutyak) are ever present in Budapest...there are about 400,000 of them in a city of a million and a half. Many of them seem to be incredibly street wise, particularly those who cruise the streets of Pest off-leash. The kutya in this pic is on a leash and happily wagging his/her tail as he/she cruises along with the human, elegantly dressed in boots, of course, and a clever hat.
Hungarians are not subtle...they speak their minds in words and actions, as this older lady, clutching a bag printed with the essential faux animal skin, is demonstrating. Her wine bottle, headed for the drunk who has been marinating in Dreher and has not yet completed the process, barely misses it's mark but sends a painfully clear message....don't fuck with me, sonny. Her dog appears to be floating like a balloon above a Turkish shopkeeper as the couple in the balcony glare at the action below.
Flesh is out and proud in BP, regardless of physical shape or condition. I like that...and the woman shopkeeper in the picture is letting it all hang out. Got boobs? Flaunt them, by god, even if your back has boobs too!
Check out the irreverent art of Marcus Goldson at his website...his talents are not limited to BP alone. He creates wonderful city scapes and pictorals from all over the world. Szia! x http://www.marcusgoldson.co.uk/
Sunday, November 7, 2010
Down Around Batthyany Ter and Back up The Castle
street art intrigue, Batthyany Ter |
I was down at Batthyany Ter the other evening...nothing unusual about this, I'm there quite often. BT is the main public transportation hub in Buda, the other being Moskva Ter, on the other side of the castle. My cousin and his wife are in town and as we took the sneaky stair path from BT up to the castle, we were inspired to snap some photos in and around the ter (square). Here are mine....have a look. x
golden home, first flight |
looking down from a flight or two upstairs |
rosy dusk, up in the castle |
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